How to Write Short Stories?

Short Stories are Game.
So, play.
  • You want to start a story but have no procedure.
  • What about a clean & straightforward one?
  • Do you want to write a 100 pages in a month?
  • Or 30 pages in a week?
  • How many Characters do you need?
    • 3 to 6
  • How many Environments/Settings?
    • 1 to 5
    • Single location
  • How many Chapters?
    • 10

How many Characters?

  • 3 characters will allow to develop deep interpersonal interactions easily.
  • 1 Protagonist, 1 Antagonist, 1 Support is a triangular structure easy to identify for the public.
    • You could also go for 1 Protagonist & 2 Antagonists.
    • In this type of scenario the Support becomes an Antagonist later in the story, after chapter 6.
    • The 2 Antagonists may or may not pursue the same goal.
  • The 1st chapter will be seen from the Protagonist’s point of view.
  • The Support gives her support to the Protagonist in the 2nd chapter.
  • The Antagonists causes the crisis in the 3rd chapter.
  • And there your story kick-starts.
  • This is structure is predictable and therefore clear.
  • If you want more complexity & more diversity, go for 6 characters.
  • We’ll propose you the 3 simplest configurations:
  • 1 Protagonist, 2 Antagonist, 3 Support – The Pyramid Structure.
    • All the cast helps the Protagonist’s progression to the top.
    • Recommended for Adventure or Drama.
  • 1 Protagonist, 1 Antagonist, 2 Protagonist’s Support, 2 Antagonist’s Support – The Death-match Structure.
    • 1 Team against another, winner takes all.
    • Recommended for Action or Comedy.
  • 1 Protagonist, 5 Antagonist – The Survivor Structure.
    • The inverted Pyramid: the cast will hinder the Protagonist.
    • Recommended for Horror or Action.
  • The recommendations per genre are here to simplify the creation process.
  • They should not inhibit your experimentation.
  • If you want to try a Survivor Structure in a Comedy or Drama setting do so.

How many Environments/Settings?

  • How many settings are needed in a story?
  • 1 to 5.
  • Which settings are needed in a story?
  • You will need, a resting place, a gathering place, a confrontation place, an aftermath place & a separation place.
  • Generally you will find settings like:
    • A Café/a Restaurant/a Park
    • A House/Apartment/Basement
    • A Grand place/Main square/City Center/Agora
    • A Hostile setting, Urban or Natural
    • A Welcoming setting, Urban or Natural
  • Any setting can serve as a Conflict space, a Relaxation space or a Reflection space.
  • Again, experiment to find out what suits you the most.
  • If you want to spend the whole store in a single location.
  • A single house, can gather all these places.
  • Make the kitchen a gathering place, the living room a confrontation place, the bedroom an aftermath place & the gardens a separation place.
  • Any combination will not work out as smoothly, yet all should be tried.
  • A single room can host many feelings.
  • Up to chapter 4 she is a place of gathering & celebration.
  • Between chapter 5 & 6 she becomes the locus of fear.
  • From 7 to 9 tension dissipates, letting the consequences unfold.
  • In the 10th, she shelters the End.

How many Chapters?

  • A 10 chapter structure will allow you to keep control over your story.
  • It allows a better Visualization than a linear summary.
  • Odd Chapters establish a Tension.
  • Even Chapters lead to a Resolution.
  • Chapter 1 – Introduction/Arrival at location
    • We are Setting the Atmosphere
    • It is a Call to adventure
    • It can be a Ask for help
  • Chapter 2 – Obvious menace
    • Meet early threat
    • The early threat may be the main antagonist, a secondary antagonist or a non-human element
    • It will be the direct source of issues of the people asking for the Protagonist’s help
  • Chapter 3 – 1st Crisis
    • The Protagonist defeats the early threat
  • Chapter 4 – In between tension
    • The Protagonist anchors her relationships with friends & foes
    • She begins to gather resources
  • Chapter 5 – Discovery
    • The Protagonist Discover Hidden threat/menace
  • Chapter 6 – 2nd Crisis
    • The Hidden menace reveals itself
    • It Destroys something precious to Protagonist
    • It maybe the main antagonist or a non-human element
  • Chapter 7 – 2nd Anchor
    • Much like chapter 4, this is a resolution chapter
    • This is chapter serves as a recovery from 2nd crisis
    • The Protagonist may pass though a stage of Self Rediscovery
  • Chapter 8 – Confrontation
    • The protagonist confronts the Hidden menace
  • Chapter 9 – Last crisis
    • In this chapter the protagonist & supporters Destroy/Vanquish the Hidden menace
    • If they do, it results as a Success
    • But Failure is also a valid option if it serves the theme
    • Failure may serve to develop the story further in a sequel
  • Chapter 10 – Epilogue
    • The Epilogue, can help to clarify the ending
    • The Epilogue, also ensure the transition to a sequel
    • The Epilogue, allows the public to part with the characters


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