How to Tell a Story through Settings? A House

Here is an Example of how to Storytell through the Environment.

Surroundings

  • Why are you here?
  • What are you looking for?
  • Who are you looking for?
  • You found this house quite conveniently.
  • You came from a nearby town and were looking for a place to stay.
  • The Townsfolk didn’t tell you about this place tough.
  • Where is it situated?
  • How are the surroundings?
  • Are there Hostiles?
  • Are there Threats?
  • The house is situated by a small wood.
  • At the entry of the woods.
  • You see no beasts, though.
  • Not only feral beasts, but even small birds or rodents.
  • From where you are you can barely see the Town.
  • Should you try to enter?
  • Should you continue to search the surroundings?
  • You go behind the house.
  • There are stables there.
  • Empty…
  • Not even a single horse.
  • Nothing that indicates the presence of a single animal for the recent time.
  • This, or they were cleaned this morning.
  • Should you pursue into the wood?
  • You are too tired to explore them.
  • But you can look if the house owner has entered them.
  • You look for signs of a human presence, but find naught.
  • In fact, you find no signs of any kind of animal.
  • The very grass at the woods’ entry is perfect.
  • As if none had ever walked on it.
  • The trees seem to be tended as well, but…
  • Are they tree?
  • They look like trees.
  • Verdant, healthy & quite diverse.
  • As if they had been planted to look diverse.
  • You decide to get closer to the house.

Outside

  • How large is the house?
  • How is it built?
  • With which materials?
  • What’s it’s form & color?
  • Does it look welcoming?
  • It looks large enough to shelter a family.
  • The walls are sturdy & built in warm color.
  • The shades of deep red & coppery orange contrast with the surrounding greenery.
  • The many windows are rounded.
  • Giving the walls many eyes.
  • Are there people inside?
  • Can you see anything on the walls?
  • Can you hear anything coming from the Neighborhood?
  • Can you see someone by the windows?
  • The windows are small enough to see through.
  • And the blue vitreous aspect blocks the vision from outside even more.
  • Shall we knock on the door?
  • The door is massive wood piece.
  • There are no engravings on it.
  • The aspect reminds you of a wooden board you’ve seen earlier on the road to the house.
  • The board, which seems to have been a road sign, was burned.
  • But only the surface was altered.
  • The sign itself was unaffected.
  • You couldn’t read the symbols on the charred surface.
  • Should you still knock?
  • You knock.
  • No answer.
  • You knock again and realize the sound was different from the 1st time.
  • You contacted a similar effect while you where ticking your finger against a glass of water.
  • As you were emptying it, the sound of the glass’ resonance changed.
  • You knock once more.
  • No answer.
  • You push the door handle.
  • The Door is open.

Inside

  • How’s the Light?
  • How are the Color?
  • There are no obvious sources of light.
  • Except for the many windows which show all their usefulness once inside.
  • Not only do they let light in, they diffuse it softly through the whole house.
  • Is it due to their convex nature?
  • The colors out are the colors in, but lighter.
  • The floor seems to be made of the same floor as the door was.
  • Should you continue your observations?
  • Should you pursue?

Entry & Living Room

  • The Living room is mundane.
  • Except for the fact there’s nobody.
  • You call but hear no answers.
  • You hear no answers, but your voice sound a little distorted as you elevate it.
  • What elements can you find in the Living Room?
  • A small Library.
  • Which is filled with Books.
  • Books dealing with various topics, too diverse to be there simply for recreational purpose.
  • The Owner of this house was looking for knowledge.
  • However the topics, which for most you have a limited knowledge of, doesn’t seem to be linked.
  • In fact their heterogeneity is disconcerting, now you look closer.
  • Some even seem to have been written in another language.
  • Others are worn.
  • Only one title is fully readable : Alchemy – Anatomy of the Void.
  • More books are placed on comfortable looking Armchairs.
  • Nothing else in this room except a round red Carpet.
  • There’s a Watery noise.
  • But you can’t tell where it comes from.
  • Should you check the Kitchen?

Kitchen

  • All rooms are connected to the Kitchen.
  • The remaining door must be leading to the Bedroom.
  • What elements can you find?
  • What elements are you looking for?
    • Note that this new question marks the progression from observer to investigator
  • The Furniture is scarce & does not congest the room.
  • There’s a large round Table, with Chairs around it.
  • As one would expect.
  • But the chairs are put back properly.
  • A book’s open on the table.
  • Kitchen recipes it seems, but you’ve never seen them before.
  • The ingredients are common.
  • The combinations are unusual: ‘Beef with Sugar, Marmalade & Honey – Meat Candies’.
  • Many other recipes have been handwritten in the book, and small pictures drawn.
  • There’s a Sink.
  • Is it the source of the Watery noise?
  • The faucet isn’t leaking.
  • And you don’t hear the same noise here.
  • There’s an Oven.
  • It seems to be functional.
  • There’s another Carpet here.
  • Same as the one in the Living room.
  • But, who puts a carpet in the Kitchen?
  • Maybe there’s just one is every room.
  • The last thing is a Shelf.
  • Staples are stored on it.
  • Bags of Grain.
  • Other boxes, probably conserves.
  • A large box filled with loafs of bread.
  • The bread is Dry but still edible.
  • There’s a Water Tank at the foot of the Shelf.
  • Nothing unusual in a kitchen.
  • And the water is crystalline.
  • The cook must be pleased.
  • Now for the Bedroom.

Bedroom

  • The Bedroom inner door is locked.
  • There was an Access to the bedroom from the outside.
  • You 1st thought it may be Dangerous.
  • Strange choice to leave a direct access to outside.
  • You get back outside.
  • Both Doors are Locked.
  • Then, if they were both locked constantly…
  • Should you Search the House for a key?
  • It may be in one of the books in the living room.
  • You’ve encountered a similar device before.
  • You look into the books…
  • It doesn’t seem to be there.
  • It makes sense.
  • The owner of the House, do respect her books.
  • She wouldn’t disfigure those who brought knowledge to her.
  • There’s not much else in the Living room.
  • And nothing is found.
  • Left to us is the Kitchen.
    • It was you, now it is us.
    • There are other ways to create Proximity with the Public.
    • The Pronoun change is the most obvious.

Return to the Kitchen

  • We are still puzzled by the Water noise coming from the living room.
  • So, we inspect the faucet once more.
  • Childish.
  • Only trying to compliment our insecurities.
  • What should really trouble us is the Carpet.
  • What is this Carpet doing here?
  • Too obvious?
  • Are we still a child?
  • We search the shelve.
  • Nothing but food.
  • The Carpet must be the answer.
  • We remove it…
  • And discover a slightly altered Tile.
  • The color is different.
  • It is newer.
  • We lift the tile.
  • The Key was under it.

Entering the Bedroom

  • What elements do we hope to find?
  • Will the room be as empty as the others were?
    • of people
  • Will we find another carpet?
  • There certainly isn’t an abundant water source inside the bedroom…
  • A bath, perhaps?
  • Now, Through which door shall we enter?


Posted

in

by